Full of fun practical effects and loaded with cameos of beloved horror vets, Terror Tales is a worthy addition to the canon of genre anthologies.
Ian West checks out the beautiful new blu from Arrow of the Luciano Ercoli Euro thriller.
Joseph Perry praises IFC Midnight’s first release of 2019 for coming out swinging with powerful female performances and subverting some expected genre trends.
RLJE and Chris von Hoffman have crafted a decadent, elegant horror film that soaks itself in blood and violence in a highly satisfactory manner.
New Year, New You weaves between genres with realistic, grounded performances and superb direction that create a pivotal entry into the holiday horror genre.
New book on Stephen King, America's Dark Theologian: The Religious Imagination of Stephen King, gets to the heart of his religious subtext.
Christmas Blood has just enough blood letting and holiday themed tension to be a worthy entry in the growing collection of yuletide terror.
Blumhouse and Nacho Vigalondo have crafted a Christmas genre picture that is a surefire hit.
With a delightful blend of humor, horror, and gore, Leprechaun Returns is a whole lot of fun and deserves a watch.
A fresh take on some tried tropes makes The Wrong Todd from Rob Schulbaum a winning expansion on a critically acclaimed short.
While it’s mostly disjointed and sporadic, a solid mutilation and some well directed scenes give some foundation to the Ugly Sweater Party.
By focusing on the competent, never surrendering women of Slay Belles, Dread Central and Spooky Dan are able to gloss over low budget with a bombastic blast of Christmas horror comedy.
With solid gameplay and a consistently terrifying atmosphere, Transference is a worthy VR horror title.
Another entry from the Dread Central Presents label, Lasso is reminiscent of a by-gone era of horror that is a whacky, fun time.
Writer-director Justin McConnell presents a unique and thought provoking take on a shapeshifter, a body horror creature feature sprinkled with dark humor, romance, and some solid gross outs.
With some solid work paying tribute to Fulci and his ilk, Blood Ballet makes it roots well known but non-existent narrative and bland non-kill scenes ruin the mood.
While it takes some time to find it’s footing, The Chilling Adventures of Sabina succeeds in bringing a warm smile to the face of horror fans, exceeds in it’s horror, and Shipka is a star.
Although it starts with a bit of a drag, some practical effects and gooey gory body counts help The Heretics a worthwhile addition to the new wave of cult horror.
We don’t say this often, but this film is fuuuuuuucking adorable.
Horror auteur Todd Sheets presents a fun, wild ride with Bonehill Road, that’s a genre bender with fantastic practical effects from Joe Castro.
If Keep An Eye Out was a holiday card, I’d mail it to everyone I know
CAM may be the best under the radar horror film of 2018.
Timo Tjahjanto brings the visceral pain in The Night Comes For Us, a brutal ballet of violence and frenetic mayhem.
Jerry Smith is here to tell you that not is Halloween an amazing film, it’s one of the most important slashers ever made.
You won’t want to miss this slice of lo-fi science fiction.
Apostle is powerfully led by all parties, actors and director alike, and Gareth Evans along with Dan Stevens deliver an outstanding vicious film for Netflix viewers.
Todd Spence introduces us to Mikus, which will strike a horror fueled chord with childhood.
Megan gives us her thoughts on the newest flick from genre legend Michael Ironside!
FX master Jim Ojala’s directorial debut feels clunky at times but features excellent gore effects and creature design.